Sunday, August 21, 2016

Choral Fundamentals.



Choral singing whether 2 or a thousand if done beautifully demands brain synchronization on so many levels that a chorus is truly one voice.  This is certainly a genetic remnant from tribal societies or even before.  I am convinced that a good chorus hears the same music subconsciously moments before singing their part. Where this music comes from, the conductor, the lead singer, or the "ether" direct from the composer/arranger is at this point unknowable.  There are intelligent people that think that every thought or impulse from everyone living or dead is present in some space that is tuneable by the proper receiving brain, and music lends some credence to this for me, but I still don't believe it.  The music of the composer/arranger is somehow embedded in the score that the chorus can resonate with subconsciously as a group.  The melodies, the rhythms, the harmonies and the tempos are of course simply marks on some holder.  But when performed all come together to recreate the mind of the composer/arranger. 

To a lesser extent all music requires this synchronization but vocalization is so fundamental that it involves most of the brain.  All must be in sync with the composer/arranger   (Brava, Alice Parker) even if not physically present.  

Every good chorus I have sung with, and there have been many, has been an extremely tight social group where all members have liked and respected each other.  Years later they can reunite either individually or as a group and it as if no time has passed. The few outliers don't tend to last long no matter how well they sing.   

Original publication 12/10/16 

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