Natural Spirituality in a Christian context.

Atheists at end of life. - Beliefnet

[It was not the best Christian theology] Nor was it the best of natural spirituality I have been presented with. But when you are dealing at the McGuffey level at best, one must pick extremes to illustrate a point.

I could discuss the natural spirituality of Messiaen playing his Méditations sur le mystère de la Sainte Trinité at the National Cathedral, and explain why the Christian Theology of the composer and performer made the Christian interpretation of the experience less impressively spiritual even though God was an integral part of the natural experience. But that would be a dissertation in atheist spirituality, that neither you nor Ken would even try to understand.

I spent a good chunk of my time after the performance framing this dissertation, as I was frankly expecting a Christian spiritual experience. I didn't write it as I was the only one who would read it and I didn't need to.

Tribal Issues

At Davies Symphony Hall last night sitting in the cheap seats next to a family obviously out of place in the setting. Chit-chat quickly revealed that the youngest daughter was in town for a master class with the musician on stage. The family was obviously uncomfortable with the fact that ":She really likes classical music:" but were determined to give her a chance to follow her muse. Probably putting a fair dent in the family budget to do so to provide lessons with a world class musician in the rural city. Kudos to that world class musician who was "also an attorney" for carrying the rational educated tribal values to the hinterland.

Atheists, agnostics know more about religion than believers

Atheists, agnostics know more about religion than believers, finds US survey:

"A new survey, which measured Americans' knowledge of religion, has found that atheists and agnostics knew more than followers of most major faiths. According to the survey by the Pew Forum on Religion and Public Life, a majority of Protestants could not identify Martin Luther as the driving force behind the Protestant Reformation.

It also revealed that four in 10 Catholics misunderstood the meaning of their church's central ritual, incorrectly saying that the bread and wine used in Holy Communion are intended to merely symbolize the body and blood of Christ, not actually become them.

It said that atheists and agnostics - those who believe there is no God or who are not sure - were more likely to answer the survey's questions correctly."

Surprise, surprise. If you only know what that little vuvuzela in the fancy dress in the overdecorated balcony tells you you can know it is easy to believe because he won't tell you anything else. Once you start learning about your religion, read your Holy Book without the study guide, maybe look at related religions that your friends believe in and find out more about them the less sense any religion makes. So then you start down the slippery slope of finding a religion that makes any sense at all, end up in woo-woo land and finally pick a church for the social and networking benefits, and/or the music. The one thing the Christian God does better than any other God is inspire composers to comment on the Mass and the prayers. Some of the comments are not too nice, but the music is still great.

Vuvuzela Music?

WHY belief in gods? - Beliefnet:

"Ah, the wonder of the internet. You can find out more than you ever want to know about something that you don't want to know anything about in just a few minutes. Like how to make music on a vuvuzela. One of the most hilarious introductions to a serious topic that I have ever read.

Aug 15, 2010 -- 3:12PM, J'Carlin wrote in response to teilhard pointing out that a tinhorn in a fancy dress was hopelessly outdated:

'that little vuvuzela in the fancy dress in the overdecorated balcony?'

Funerals

The Bright Line - Beliefnet

hopefully I will never, ever attend a atheist funeral... and there hear someone speak words to those who mourn without hope...
Leight

"I have been to many atheist 'Celebrations of the Life Of .....' There is no mourning. Death is the bookend that says the person's active contribution is over, but those who knew and loved herm remember and celebrate all of the contributions the deceased has made to their lives and celebrate the Legacy of the deceased.

I have been to many Christian funerals, where mourners sing sad songs and hope against hope that somehow their prayers will help the dead avoid Hellfire and damnation. And also secretly hope that when they die they will also avoid Hellfire and damnation.

The 'High point' in a Requiem Mass is always the Dies Irae. The day of wrath and anger when the trumpets will sound and the dead will be judged. It is always scary music: Pay attention sinners! Get right with God or Hell awaits! Kind of fun to sing, but I wouldn't want to be a believer in that wrathful God. I particularly like the Tuba Mirum from the Berlioz Requiem The brass blares from the four corners of the hall "You are Damned" the chorus responds musically "I have hope?" The horns repeat, louder. "NO WAY." The chorus tries again. Again the horns deny. Finally the chorus gives up and joins the horns in the damning chord.

It is for this that we gather at the death of a friend? No, thank you! I much prefer the celebration of a friend's Legacy. To contemplate all those volumes on the bookshelf that we can remember at will and share with others when appropriate or necessary."

Synchrony in Human Activities.

Human Cognition: Can Materialism explain it?- Beliefnet

That is exactly what we see; therefore, until this changes, materialism has been vindicated thus far as the ontology which most accurately describes our universe.
Faustus5

As long as you are willing to stipulate that materialism does very poorly in describing a probably insignificant blip in the universe called human cognition. At this point all materialism can say about cognition is that somehow neurochemicals and electrical impulses in neurons create or possibly detect cognition. I readily admit my cognitive bias that cognition is created in the mind/brain, but materialism must by definition be agnostic.

In particular I would like the materialists to explain how a top level string quartet manages the rubato, retards, fermatas, and other musical effects to produce a performance that can make a listener cry, or in one case of a quatuor pour le fin du temps sob uncontrollably. Or how a listener can control the attacks of a professional Rock band. All of which I have personally observed.

Or explain

With a dramatic bow of pianist Nobuyuki Tsujii’s head, rich sounds of the piano, violins, cello and viola broke the concert hall silence as he and a string quartet played Schumann’s Piano Quintet in E-flat major, Op. 44.

The standing ovation lasted nearly five minutes, so long that the 20-year-old from Japan returned to the stage twice to bow, grinning from ear to ear.

The audience may have loved Friday’s performance, but not everyone may have known its significance. Tsujii—who was born blind—had to figure out how to cue the other musicians. That was especially important with the Schumann piece, because all instruments must start playing simultaneously in the first movement.

Yeah, sure. The quartet all mentally counted the 3472 microseconds from when his blind eyes crossed the horizontal and they all came in on the 3473rd. There was something else going on here. The leader, in this case Tsujii caused the syncing of the brain waves of the quintet so they could all attack at the same instant. A trained human ear can hear at least millisecond differences in the attack of stringed instruments. With a good ensemble it never does.

So, materialists how did Tsujii sync the brain waves of 4 other people?

I don't know what constitutes psychic by your definition, but the SciAm report states that syncing with the metronome, at the initial attack, and in difficult rhythmic passages the measured brain waves of two unacquainted guitarists in 8 trials were synced.

As noted in my previous post this phenomenon of "knowing when to attack" and following unpredictable tempo modifications is second nature to ensemble musicians. It is not unusual for ensemble musicians especially in rehearsal to be concentrating on the score, and yet still follow the subtle tempo changes that constitute the music. I don't know whether it would be called psychic by your definition or not, but I have experienced and seen the synchronization and its failures.

As another example I have seen a pairs figure skater "stumble" in a blind maneuver but be perfectly in sync with herm partner at the rejoin move which was also blind. I would submit that the skeptics have the burden of proof that the rejoin was based on anything but brain wave sync of unexplained communication channel. Not incidentally, they were out of sync with the music which was one of the reasons I noticed it.

I personally have "researched" the reaction time bill drop bar bet. That is if you catch the bill when I drop it it is yours. Catcher's thumb and finger over the portrait. A false grab means the catcher owes the dropper the bill. Reaction time says the money is in the bank. I was demonstrating this bet with a "fresh squeeze" who eventually became my wife. She caught the bill every time. Fingers right on the portrait usually. We tried this with a wall between us bill in a doorway and the only way I could beat her was randomizing my drop. If I so much as thought about dropping it I lost. This was witnessed by a fairly large group of peers, who were able to observe a randomized trial by a finger signal out of sight of all but the control observer. OT have you ever tried to randomize a physical action?

It would appear that the scientists who did the study you cited see nothing in their results that requires an explanation which goes beyond normal brain events understood in biochemical or information processing terms--business as usual.
Faustus5

"Stipulated. It would be quite beyond the experimental design to explain the mechanism of the synchrony. The synchrony was of course biochemical and information processing functions of the brains of the musicians. That is what they could measure. Like the drunk under the street light looking for lost car keys, science can only look where they have light to see. All the scientists could do was note that the synchrony existed. They could not publish the mechanism of the synchrony even if they speculated on it. At this point it is not science. That does not mean that the mechanism for the synchrony does not exist, it is just in the class of things beyond the measurable world of science."

What's to explain about mirror neurons, religious perceptions God or mental influence on others? At least in the sense that you have a better explanation for us?
Blü

How they work. I don't have any explanation of how they work. Just the observation that they do work. I have a speculation that the spinal chord is a brain wave detector, and particularly with respect to motor nerve stimulus can provide the observed synchrony, as in the movement of a school of fish in response to a predator. Whether it can provide higher function synchrony is much more speculative, but it explains some unexplainable observations, including mirror neuron response, and group perceptions of God.

I am always amused by the way scientists conveniently ignore things like reaction time and speed of pressure wave transmission in water in trying to explain the unexplainable synchrony. But currently ESP is a grant killer on par with Creation Science, so it will take a lot of "it just works" scientific evidence to force investigation of the mechanisms.

I have no dog in the fight. I don't believe in skepticism. Science always catches up and disproves belief systems contrary to fact. It will probably take a remote fMRI to catch a group of musicians, or a group of believers syncing up brain waves to do what is necessary. I wish you could have been at the Faure Requiem performance I mentioned earlier. (You don't.) The stick was right on the money. The chorus was all over the bar line.

I have personally experienced, or perhaps imagined, all of the synchronies mentioned in my previous post including the presence of God in a Catholic service. I can only speculate on the mechanism(s). Perhaps in the Catholic service I had a temporal lobe brain fart. Everything is on the table. But it was a physical action, genuflection, that triggered the connection with the congregation or whatever it was.

I'm trying to work out whether I think really good sync is more common amongst instrument players than amongst singers of the same professional status or not. I suspect it might be, but I can also think of extrinsic reasons why that might be so - especially amongst larger choirs. Amongst my CDs, the Robert Shaw chorale and some of the madrigal groups eg Les Arts Florissants doing Gesualdo make a positive case for the singers.
Blü

I think the secret is unconducted chamber work either choral or instrumental. And since instrumental chamber music is required of all pro level instrumentalists but not choral singers I suspect you are right.

But having sung for Robert Shaw, there is no way to be out of sync. Somehow, one always knows exactly when to come in. The concentration he puts into a rehearsal and a performance suggests an athlete. A face towel is standard equipment and is changed at every opportunity. He is not an active conductor, so the effort is all mental. I performed the Missa Solemnis under his baton, and there is no way to do the Et Vitam fugue at the tempo he takes it by watching the stick. There is just too much going on. I will admit to the possibility of learning to count microseconds in the rehearsal, but I wouldn't bet on it.

J'C But it was a physical action, genuflection, that triggered the connection with the congregation or whatever it was.I have no reason to doubt your word. The only question between us is whether a word like 'psychic' comes into the explanation.
Blü

I wouldn't take it off the table. It would have to be right up there with the brain fart. I don't have a clue as to how it worked. And as I had no previous experience of God, the feeling was of a presence like another person as described by unbelievers in the God Helmet experiment. But it definitely was not a person in the church, not even the priest. The closest analogy I can muster is the feeling I had in the Lincoln Memorial in Washington DC.

I think the analogy is apt. I have seen many a noisy group of school children fall dead silent as they cross the threshold of the memorial. I don't think it is anything supernatural, just a feeling of awe and reverence generated by those in the memorial. Is it phychic? A brain fart? Mirror neurons compelling awe and reverence? I don't think science dares to have a clue as to the mechanism. At this point it can just add a data point to the unexplained barrel.

Human Cognition

Human Cognition: Can Materialism explain it?- Beliefnet

That is exactly what we see; therefore, until this changes, materialism has been vindicated thus far as the ontology which most accurately describes our universe.
Faustus5

As long as you are willing to stipulate that materialism does very poorly in describing a probably insignificant blip in the universe called human cognition. At this point all materialism can say about cognition is that somehow neurochemicals and electrical impulses in neurons create or possibly detect cognition. I readily admit my cognitive bias that cognition is created in the mind/brain, but materialism must by definition be agnostic.

In particular I would like the materialists to explain how a top level string quartet manages the rubato, retards, fermatas, and other musical effects to produce a performance that can make a listener cry, or in one case of a Quatuor pour la fin du temps, sob uncontrollably. Or how a listener can control the attacks of a professional Rock band. All of which I have personally observed.

Or explain

With a dramatic bow of pianist Nobuyuki Tsujii’s head, rich sounds of the piano, violins, cello and viola broke the concert hall silence as he and a string quartet played Schumann’s Piano Quintet in E-flat major, Op. 44.

The standing ovation lasted nearly five minutes, so long that the 20-year-old from Japan returned to the stage twice to bow, grinning from ear to ear.

The audience may have loved Friday’s performance, but not everyone may have known its significance. Tsujii—who was born blind—had to figure out how to cue the other musicians. That was especially important with the Schumann piece, because all instruments must start playing simultaneously in the first movement.
Japan Today

Yeah, sure. The quartet all mentally counted the 3472 microseconds from when his blind eyes crossed the horizontal and they all came in on the 3473rd. There was something else going on here. The leader, in this case Tsujii caused the syncing of the brain waves of the quintet so they could all attack at the same instant. A trained human ear can hear at least millisecond differences in the attack of stringed instruments. With a good ensemble it never does.

As a high level ensemble singer I know who is syncing the brain waves, the conductor, and when hesh loses concentration, the performance falls apart. I remember one performance of the Faure Requiem where the conductor was somewhere in never-never-land. He was waving the stick OK but the entrances especially on the Kyrie were painfully out of sync.

It is my theory, I have no experience to back this up, is that the leadership in a small ensemble like a string quartet, passes smoothly from one performer to another, perhaps on the importance of the part at that point, and they all follow that lead.

Mary Travers

From an email to members from Rosanne Zoccoli President of NYCS.

She has said everything I have been trying to get posted so much more eloquently than I ever could.


Dear members,

No doubt by now many of you have heard the sad news that longtime folk legend and friend of NYCS, Mary Travers, has passed away following a valiant battle with leukemia.

Along with fellow performers Peter Yarrow and Noel (Paul) Stookey, Mary was part of an enormously successful collaboration with NYCS. For 21 years, Peter Paul and Mary performed their pioneering brand of folk music with the NYCS on the stages of Carnegie and Avery Fisher Hall, on Broadway and on television. Throughout our collaboration with the trio, they had always donated their services free of charge to the NYCS - a gift for which we will forever be grateful. We will forever be thankful for the gift of music they gave to us and our audiences.

In all of these concerts, Mary was a central figure. She sang, smiled, and loved being a part of NYCS. Those of us who have been in NYCS for many years also remember fondly how Mary would bring home-made chopped liver to rehearsal ---a gift for all to enjoy.

Thank you very much.
Sincerely,

Rosanne

Mary Travers, Singer of Protest Anthems, Dies at 72 - Obituary (Obit) - NYTimes.com

A giant who made the world a better place is a beloved memory now. The privilege of rehearsing with and performing with PP& especially Mary was a highlight of my many years with the New York Choral Society.

Mary Travers, Singer of Protest Anthems, Dies at 72 - Obituary (Obit) - NYTimes.com: "Mary Travers of Peter, Paul and Mary Dies at 72

By WILLIAM GRIMES
Published: September 16, 2009

Mary Travers, whose ringing, earnest vocals with the folk trio Peter, Paul and Mary made songs like “Blowin’ in the Wind,” “If I Had a Hammer” and “Where Have All the Flowers Gone?” enduring anthems of the 1960s protest movement, died on Wednesday at Danbury Hospital in Connecticut. She was 72 and lived in Redding, Conn.
....
Ms. Travers brought a powerful voice and an unfeigned urgency to music that resonated with mainstream listeners. With her straight blond hair and willowy figure and two bearded guitar players by her side, she looked exactly like what she was, a Greenwich Villager directly from the clubs and the coffeehouses that nourished the folk-music revival.

Heroes - Religion and the Human Mind

Heroes - Religion and the Human Mind - Beliefnet Community:

Who are your heroes? What makes them heroes to you?
Blü

To stay with the theme of the board, my lifelong hero has to be Beethoven. By studying his Masses, and indeed all of his music I learned what an atheist can learn from God. Indeed his war with God, which in my opinion he won particularly in the Ninth Symphony taught me more about being human than anyone else. But in my mind the Missa Solemnis is the definitive comment on the relationship to man and God, God being defined as the Nicene God of the Anglican, Catholic, Eastern and Orthodox liturgy. Mahler followed in his footsteps and turned the path to humanism into a highway. But Mahler was not at war with God, he took Beethoven’s victory as a given and built on it, as did many others, too numerous to mention as heroes. Bach might be included in the pantheon, but it wasn’t until I had thoroughly studied his music and Masses that I realized that he too was on the humanist path, but so constrained by his employer, the Church, that he couldn’t be obvious about it. But it is no accident that he introduced the tritone (The devil’s interval) into music even, God forbid on the pain of death, to church music. Although in my view the tritone is an intensely human interval with its eternal questioning and questing.)

In literature, Steinbeck stands tallest in the God wrestling business. If there is a humanist bible East of Eden (1952) has to be near the top of the list. The interpretation of the verb timshel from Cain’s charge as “Thou mayest triumph over sin” is brilliant. Not you will. Not you can. Not you must. But you may choose to triumph over sin is profoundly humanist and taught me how to deal with the serious mistakes I made that I couldn’t nail to the cross like my religious friends. Most of the Science Fiction/fantasy authors following Asimov and Heinlein wrote some great humanist novels, with not so incidentally some of the best humanist moral discussions to be found anywhere, most are on my reread list when I need some moral support as a humanist. Niven-Pournelle, Card, Clark, Tall, Tolkein, the list is too long to remember them all. Omissions are memory failures not intentional.

Interestingly philosophers are not on my hero list, although their contribution to my life has been immense, if only by providing the challenge to my thinking to make it what it is today. A few of them were religious philosophers (theologians) and one Jesuit that made major contributions to my intellectual growth as an atheist.

I would agree with many of the scientist and mathematician heroes but they are not so much in the God wrestling business as in the advancing human knowledge business. Incredibly important in the mind part of the title, but not much in the religion part. Their quest is not religious but the intensely human desire to become omniscient, not by definition, but by hard work."

Pachelbel Canon Rant

For all who know and love Pachelbel's Greatest Hit, that means all who read this blog of course.

The Sound of Passion: Scientific American

The Sound of Passion: Scientific American: "The new work is part of an emerging portrait of the broader connections between music, emotion and speech. These studies are finding that musicians are more accurate in detecting emotion -- such as joy, sadness and anger -- in speech samples. The effect has been found even in children as young as 7 years old, with as little as one year of music training. It is a fascinating example of how experience in one domain (music) benefits another (emotion perception). However, it is not until very recently, with the publication of the new study by Strait and her colleagues, that the biological foundation of the effect has been demonstrated."

As they say music is fundamental. Deprive your children of music and they will be "Depraved on account of being deprived" from "West Side Story." Daniel J. Levitin believes that it was music rather than speech that gave early hominids their sophisticated emotional communication capability. Maybe you can lie with your words, but can you lie with your song?

Importantly related was a performance of the Missa Solemnis by the Minnesota Orchestra the other night. It was the last performance by their concertmaster, and yes she is a master, Jorja Fleezanis. The Preleuso was exquisite and would certainly get God's attention if there was one created at the performance. I didn't feel the presence, but it was a concert not a parish.

Tsujii 2nd Rock

Apparantly you can't upload from the website, or at least I can't. Go to http://www.cliburn.tv/# go to June 6 on the bottom of the finals section and enjoy.
Tsujii has been blind from birth, but states "There are no barriers in the field of music." Sure.

Musicians' brains keep time--With one another: Scientific American Blog

Musicians' brains keep time--With one another: Scientific American Blog: "Ever wonder how musicians manage to play in unison? Credit their brain waves: they synchronize before and while musicians play a composition, according to new research."

And people say ESP is a myth. If randomly selected musicians, that is unrelated, can synchronize brain waves just to play a random piece of music, in a lab yet, with no audience to play to or play off of, what can be said of the brain waves of a chorus or orchestra in a hall full of people wanting to participate in the experience. Or. hold on to your God beliefs here, pro or anti, what about a church full of people singing hymns and praying to God. Can it be that the synchrony creates God, or perhaps recreates the God of the previous meetings back as far a the religion can trace its roots? Oh yeah, I forgot, they could be synchronizing with their supernatural omnipotent alpha humanoid in the sky, or more likely with the little tinhorn in the fancy dress in the overdecorated balcony.

In any event if synchronizing brain waves isn't ESP, just what is it? I think the skeptics need to examine the evidence and take a closer look at some of the phenomena they love to debunk.

Why we make music

Welcome Address, by Karl Paulnack: "From these two experiences, I have come to understand that music is not part of “arts and entertainment” as the newspaper section would have us believe. It’s not a luxury, a lavish thing that we fund from leftovers of our budgets, not a plaything or an amusement or a pass time. Music is a basic need of human survival. Music is one of the ways we make sense of our lives, one of the ways in which we express feelings when we have no words, a way for us to understand things with our hearts when we cannot with our minds."

From a welcoming address to incoming students at the Boston Conservatory. Have a hankie handy, you will need it in a couple of sections of this address.

Literature or Philosophy?

Is Heinlein the atheist's philosopher? : "One of the best and most popular courses in my brief stint as a philosophy major was a course entitled 'Philosophy in Literature.' The premise was that perhaps Shakespeare, Aquinas, Homer, Milton, Sartre, and Joyce were telling us more about the philosophy of their time than the academics, either historians or philosophers. One of the reasons I quit Philosophy as a major was the isolation from real life of the philosophers I was studying. I found myself going to the literature and music of the time to find out what was really going on. If you think about it, a novelist or other artist that wants to survive on herm art had better have a pretty good handle on the prevailing philosophy of the time. Not incidentally it is much more interesting studying philosophy in the context of a rollicking good story, than plowing through paragraph long sentences of meaningless words."

J'C: I find it much the same in music. The academics were pushing the cerebral envelope with studies of atonality, noise and silence, while the tenor of the times was being expressed in the movie scores and advert music. I find it amusing that modern "Classical" music is almost entirely movie scores. Of course Tchaikovsky only wrote popular music of his time also.

Sir Alex and his Squire

Facebook | Videos Posted by Elizabeth Black: Sir Alex and his Squire

Grandson Alex with his new toy Thanks to Greg Stone and Jack Van Breen who helped get the right bass within the budget.

WOLCUM YOLE

Our holiday started at the solstice with greetings all around for a wonder filled new year for all, and ended with a concert recital at a beautiful local Chamber Hall for her students at the concert level. The youngest being her usual 6 yr old prodigy playing Beethoven, Tchaikovsky, and Mozart, the oldest only 14 this year, and her 8 yr old star playing all sorts of things 8 yr olds can't play like a Beethoven Sonata Allegro and Rachmaninoff. An incredibly good day topped off with the Christmas Eve present opening.

It all bodes well for a great new year filled with wonderful music and the daily wonders that randomly make life worth greeting each sunrise with elation, expectation, and joy. It is no accident that my bed faces East.

Christmas time again

Pharyngula: Oy, it's War on Christmas time again:

It is OK to say 'Merry Christmas'. Even I have been known to say it. Go ahead, have a good time with the greeting, although it does rather rip the spirit out of it if you say it through clenched teeth with furrowed brow, looking like you're daring everyone to object so you can punch them in the throat. It's also OK to say 'Happy Solstice,' 'Season's Greetings,' 'Happy Holidays,' and 'Merry Cephalopodmas,' whatever feels right to you."

I have always liked "Wolcum Yole!" which Benjamin Britten popularized in his Ceremony of Carols. It seems to be a 14th Century folk song. that he used as his text for the opening piece after the processional.

I think the Ceremony of Carols is a wonderful celebration of all that is good about an English Christmas. Lots of pagan rhythms and fun winter party music.

Musical Transcendence

Why Athism? - Beliefnet Forums: There are certain circumstances other than religious groups where a transcendent consciousness may be experienced. On rare occasions as a musician I have felt a resonance with the audience, and as an audience member a resonance with the musician(s) in which I feel I am sharing in the experience of the music in a way that transcends my own limited capability to understand the music. My own background in music is of course part of the greater whole, but only a small part when everything works right."